Mario Marzán
CV
Mario Marzan
www.mariomarzan.com
www.campoarts.org
mmarzan@email.unc.edu
Education
2005 Carnegie Mellon University M.F.A. Studio Art
2002 Bowling Green State University Bowling Green, OH B.F.A. Studio Art
Professional Experience
2023-Present Founder + Co-Director, Drawn to the Camino Walking Artist Residency Program
2016-Present Campo Research Studios: In Collaboration with Artist and Faculty Associate Professor Roxana Perez-Mendez
2013- Present, Associate Professor of Art, University of North Carolina at Chapel Hill
2007-2013 Assistant Professor of Art, Drawing and Painting. The University of North Carolina at Chapel Hill
2005-07 Postdoctoral Research Fellow, University of North Carolina at Chapel Hill
Publications
2024 “Pilgrimage as a Medium: Teaching the Camino de Santiago.”
Campo Research Studios. Ad Limina Journal. Revista de Investigación del Camino de Santiago y de las Peregrinaciones. Xunta de Galicia
2023 “Pilgrimage as a Tool for Perception and a Form of Counter-Cartography.”
Campo Research Studios. Special Issue Walking Art Research Practice (WARP) x Soap Box: A Journal for Cultural Analysis. In collaboration with the CUS - Centre of Urban Studies (UvA), ASCA - Amsterdam School for Cultural Analysis (UvA), ARIAS – Platform for Research through the Arts and Sciences and NICA - Netherlands Institute for Cultural Analysis. Published September 1, 2023
Select Grants/Awards
2012 University Research Council Grant / UNC / $1,800
2011 NFA - NALAC Fund for the Arts, Artist Grant / $5000
The Drawing Center, Slide Registry and Viewing Program, New York, NY .
2007 Durham Arts Council Emerging Artist Grant / $1,500
2006 Orange County Arts Commission Purchase Award, Hillsborough, NC.
2005 Carolina Postdoctoral Fellowship Program, UNC-Chapel Hill, NC
Paper Presentations
2024 “Navigating after the Storm: Touchstone.” Walking Art in Relational Geographies International Encounters and Conference. University of Corona, NaoCoclea Centre de Creació Contemporània. Girona, Spain
2023 “Navigating after the Storm: Campo Research Studio.” Multifarious Identity and Contemporary Visualization Panel SECAC, Richmond VA
2022 “Pilgrimage as an Artist Practice.” WARP Conference (Walking as a Research Practice, University of Amsterdam. Allard Pierce Museum. Amsterdam Netherlands.
“Pilgrimage as Medium: Teaching with the Spirit and the Mind.” Walking Art and Relational Geographies International Encounters and Conference. University of Girona, University of Vic, NauCoclea Centre de Creació Contemporània Girona, Spain
2021 “Pilgrimage as a Medium” Institute for Pilgrimage Studies Conference. William and Mary University
Select Solo/Two Person Exhibitions
2016 Flux, Rutledge Gallery, Winthrop University, Rock Hill, SC
Environmental Identities, Sumter Gallery of Art, Sumter, SC
2013 Flood, Acorn Gallery, Clemson University, Clemson, SC
Alternating Currents, Baum Gallery/ Museum, University of Central Arkansas, Conway, AR
2011 Sink or Swallet, Lowercase Gallery, Middle Tennessee State University, Murfreesboro, TN
2010 Layers (with Eugene Korsunskiy), Rebus Works, Raleigh, NC
2009 Daily Image Project, Rebus Works, Raleigh, NC
Cycles of Deconstruction w/ Stephen Floyd, Flanders 311, Raleigh, NC
2008 Dive and Reappear, Flanders Art Gallery, Raleigh, NC
Select Group Exhibitions
2023 Walking as Research Practice (WARP): Special Issue WARP x Soapbox Journal – Book Presentation and Exhibition. ‘A Space for Books’ Amsterdam, Netherlands. As part of Campo Research Studios in collaboration with Roxana Perez-Mendez
Place of Encounters/Lugar de Encuentros. Cameron Art Museum, Wilmington, NC. As part of Campo Research Studios in collaboration with Roxana Perez-Mendez
2020 Escapes and Revelations. As part of Campo Research Studios in collaboration with Roxana Perez Mendez. Southeastern Center for Contemporary Art, Winston-Salem.
2017 New Work: Campo Research Studio. AADK Centro Negra: Centro De Investigación y Creación Contemporanea. Blanca, Murcia Spain
2014 The Intuitionists, The Drawing Center, New York, NY
State of Emergency, Van Avery/Smith Gallery, Davidson College, NC
2013 TINY: Attention, Exploded, Carrack Modern Art, Durham, NC
Residencies
2023 Proyectos Artísticos Casa Antonino. Gijón, Asturias, Spain
Grotta Artist Residency Aracena, Huelva, Spain
Artenatura Artist Residency, Huelva, Spain
2017 Foundation Valparaiso. Mojácar, Spain
AADK Centro Negra: Centro De Investigación y Creación Contemporanea. Blanca, Murcia Spain
AARK: Archipelago Art Residency. Korpoo, Finland
Joya: Arte + Ecologia. Velez-Blanco Almeria, Spain
Artist in Residence, El Status Studio, San Juan , PR
Select Bibliography / Publications / Press
2023 Place of Encounters | Lugar de Encuentros Catalogue Essay. Rojas Sotelo, Miguel (2023). Retrieved from https://hdl.handle.net/10161/28556
2016 Sumter Item, Art Column “Exhibitions Intriguing, Creative, Challenging”, Feb. 23, 2016. 2013 Culture Str/ke, “The Judge” (Story by Daisy Hernandez), Sept. 24, 2013
2012 Gainesville Scene, “Artists Interpret Below the Belt” Mar 1, 2012
Gainesville Today, “Bringing Art to the Masses” Mar 4, 2012
2011 Grants Pass Daily Courier, “Wiseman’s Gallery Water Themed...” Nov 14, 2011.
NC Artblog, “The Art of The Urban Jungle”, October 7th, 2011
Rough Cuts / The Kalm Report, “Winter Break at MOMENTAart and The Constructed Landscape”, Video review by James Kalm (Brooklyn, NY), Jan. 11, 2011.
The L Magazine, “The Constructed Landscape”, Brooklyn, NY, Jan 12, 2011.
Village Dog Blog, March. 2011.
2010 ARTPAPERS, “Necessary Fictions” Review by Laurel Fredrickson, Nov/Dec Issue, 2010.
Map Mint Blog, “Let’s Get Lost Part II”. October 21, 2010.
Race, Space, Place Blog, “ARTiculating Caribbean Imaginaries”, October, 2010.
NC Artblog, “Wayfindings”, September 29, 2010
Independent Weekly, “Misshapes: New Ways of Seeing in Layers”, Sept. 1st, 2010
Independent Weekly, “Ways of Being Latino...”, June 30th, 2010
Conference and Public Lectures
2016 Artist Lecture, Rutledge Gallery, Winthrop University, Rock Hill, SC
Artist Lecture, Sumter County Gallery, Sumter, SC
2014 Visiting Artist Lecture, Davidson College, NC
“Visualizing the Caribbean”, Lecture, Duke University, Durham, NC
2013 Visiting Artist Lecture, University of Central Arkansas, Conway, AR
2013 Visiting Artist Lecture, Clemson University, Clemson, SC
2013 Public Lecture, University of North Carolina at Chapel Hill, (Tenure Talk)
2011 Artist Lecture, “Sink”, Green Hill Center for the Arts, NC
2011 Visiting Artist Lecture, “Views from the First House”, Middle Tennessee State University, TN
2010 Gallery Talk, ARTiculating Caribbean Imaginaries, Franklin Humanities Institute, Duke Univ., Durham, NC
Artist and Associate Professor Mario Manuel Marzán:
Mario Marzán is an artist whose work includes drawing, painting, installation and sculpture. He grew up in Puerto Rico and now lives in Durham, NC where he is an Associate Professor in the Art and Art History Department at The University of North Carolina at Chapel Hill. His work is about the constantly shifting, changing and evolving negotiation of landscapes in relation to individual identities and histories. Using scale models to relate to the characteristics of sculpture and architecture, his work addresses the spontaneous phenomena and transient moments that occur in nature as a way to talk about culture and assimilation. His investigations, often informed by peripatetic structures, are symbolic of place and space and use cartographic languages as modes of representation. Mario Marzán teaches all level drawing courses as well as an immersive summer seminar on the intersections of art and nature. An avid hiker and long distance backpacker, Mario carries a NOLS Wilderness Medicine Institute Wilderness First Aid certification and has walked both the Camino del Norte and the Camino Frances. He holds a BFA from Bowling Green University and a MFA from Carnegie Mellon University.